Wednesday 12th October, 2005

 

 

 

 

Rod in Concert
Holland, December 2005!

 

San Sebastian Strings albums now available on CD! Order now!

 

 

 

 

 

 

 

 

 

 

 

A Thought for Today

Clouds are the food of let’s pretend.

 

This One Does It For Me!

Ken,

I have always treasured the album Lonesome Cities.

I doubt if anyone, save maybe Sinatra, has done such a complete thematic gem as that. And of all the tracks the one that still comes to mind in any circumstance is The Language of Hello.

Do you know if the album did well on the charts and what the critical reaction was to it?

Jack Goodwin

I'm not sure about chart positions, Jack, but "Lonesome Cities" earned Rod a Grammy Award for Best Spoken Word Album back in 1969.

And boy, was he in good company! Other winners that year included Paul Simon, Glen Campbell, Jimmy Webb, Bobby Russell, Judy Collins, Dionne Warwick, Jose Feliciano, Otis Redding and Mason Williams among a host of others. A veritable Who's Who of the music business.

Here are the liner notes from the album.

LINER NOTES FROM LONESOME CITIES

I used to hide from the snow. That was part of growing up. But even now I sleep with the electric blanket on in summertime. Sometimes when I travel there are no electric blankets where I stay, and so I bed down with last year’s or last night’s memories. Those times when I’m wrapped up in love I push aside the memories and build on what is happening now, knowing now must be worth remembering every tomorrow. I am not a collector of people, I am a saver of places and things - I know they’ll bring the people back for me when they’re needed.

My step father was a cat skinner, leveling hills into highways. We never stayed in one place long. Portland, Oregon. Skamania, Washington. Alamo, Nevada. When he worked we had a Model T or a second hand Chevrolet. When he didn’t, it was thumbs up along the highway for the family, to get to where the work would be. ( My mother looking beautiful and getting us rides. )

I learned my first four letter word from fellow hitchhikers in Winemucca, Nevada. The second one I learned was “love”, because I needed it. Today that word is used as a noun, pronoun, verb, and catch all word for a generation coming up that isn’t getting much of it either. You see it chalked on men’s room walls and leading every slogan used in every protest march. They’re even writing books telling us how to go about it now; technology is so advanced the Kama Sutra’s nothing but a comic book, and Pompeii’s hardly worth the extra dollar for the hidden rooms. That word will bury us before hate does, if we’re not careful.

Lonesome Cities ? I’ve known some. Some of them are here. Cheyenne - my camera catching blood speckled cowboys on white speckled horses. Gstaad - I liked the snow that time and all the views from the Gondelbahns that gave a not so Disney look at cows and countryside. Paris - ah, the maids in the rooms of the Hotel Crystal... quoting everybody’s business but their own. And roaches lined up in cinema seats along the bathtub, arriving so frequently I almost gave them each a name.

London has a heart, if you can find it, and I almost have.

Mijas is a town in Spain. The day they laid Bob Kennedy to rest, I sat upon my roof and listened to a folk mass ringing down the mountainside and mixing with the goat bells. The birds were speaking Spanish, but I understood. I got to wondering where all of us are going. “We’re on a treadmill to oblivion,” Fred Allen would say. Maybe so. But there must be one lonesome city somewhere where a man can go and not see children throwing rocks at one another, while the elders burn their heroes in order to insure their memory.

I’m in Los Angeles right now amid mid-August sheep dog days. Tonight I’ll sing some songs where once I thought I had a friend. He smiles now and counts the money that my craggy face and creaky throat bring in, but never sits through one performance. He’s changed, as have so many who wish me not success but a kind of limbo where a friend or foe might come and gape.

It was a climb. God knows it was ( He’s about the only one who does), up hill all the way. Here I am, as the poem goes, my cardboard suitcase traded in for leather. I’ve put a few more pounds on, but I don’t live too much better.

Tomorrow, off to other cities. Lonesome? Some of them. To fill another book with the observations of a man who’s come to love (that word again ) all people, but who prides himself on saving just enough dislike to heap on those for whom that second four letter word is tied upon a yo-yo string and snapped back at convenience. You know your names. Stay away. I’ve little enough time and love to share with sheep dogs and civilians in Grand Rapids or off along the coasts of France.

I’ve some friends in Caliente I haven’t even met. If I get through one more winter here, I might get to know them yet.

Rod McKuen, August 1968

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Rod's random thoughts Better to uncover a soul than a continent.

It’s nice to have someone to look good for.

The only enemy I bother to do battle with is noise.

THE LANGUAGE OF HELLO

You turn a corner and things change.
Like wrinkles changing into dimples.
and night time changing into day.
And love, changing back again
to whatever it was before it came.

Let it be.
It’s a kind of something
we don’t know much about.
Like Pere Noel or magic.
Don’t even dwell on the good times -
they only make you think.

I went back to look for you.
          Not understanding the language of hello
I thought I’d speak it just the same.
I bathed,
left the window open
   and one light on.
The heat was off.
and as we warmed each other
you made up
for all those dark and indifferent backs
that turned from me these many months.


A room sat waiting
premeditated as a concierge’s smile.

In the lobby
there were some roses on the table.
I looked at them so long
I thought the buds had drained
the color from my face.
Finally you went up the stairs
to bed alone.

I’ve drawn your face
on tablecloths across the country.
Tracing your smile
with my index finger,
making your hair just so.
Till now you’re more
what I want you to be
than what you are.

I can paint your eyes and say
this is where I lived
for twenty minutes and more.

I order grapefruit
and pay for ruined napkins.
And between the morning and the evening
I draw your face a little fainter every day.

 - from the album "Lonesome Cities."

 
    AND FINALLY

More next week. Meanwhile if you have a contribution you'd like to make drop me a line at kenb@mckuen.com and I'll do the rest.

 - Ken, Johannesburg, South Africa, October 12

 
© 1970, 1986, 2002, 2003, 2005 by Stanyan Music Group & Rod McKuen. All Rights Reserved
Webmaster: Ken Blackie o Birthday research by Wade Alexander, coordinated by Melinda Smith
Poetry from the collection of Jay Hagan o Sound & Fury: Dr. Eric Yeager o Editor at Large: Bruce Bellingham
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